the second lp from grup has finally arrived, five years after his first release, which is today is totally sold out and very hard to find. 19 tracks in the pure grup ses style, a perfect blend of instrumental hip-hop and bass music, spiced by turkish-psych samples. the album s conception took three years in beyoglu, istanbul, where grup ses invited the best of the turkish beat-making scene, but also called for his european connections : gantz, fulgeance, coco bryce, nodul, biblo, elektro hafiz and many more contributed to make this release unique

after the success of their first release, emotive returns with a 3 track follow up from label forefathers silk 86. emotive 002 continues the theme of its predecessor, with an evocative blend of house, disco and some much needed soul laying the foundations for all 3 tracks.
the aptly named “vince charming” kicks off the package, drawing you in with a smooth bass hook before the vocal gets to work on embedding itself deep into your mind. on the flip side “whenever you need me” is a driving house workout, featuring cascading strings and horns straight out of disco s heyday. rounding off the package is the not so subtle “vince charming g mix” a thumping club ready rework of the a side.

video for the title track “mango bay” was played for hours over stream by one of the top dota players rtz, achieving legendary meme status over night. “rush” and “rocky bay” are wrapping up the a side carrying faster tech grooves, while still maintaining the organic component (warmth) with bass, chopped vocals and woodwind leads.
b side starts off with “calypso”, one of the earliest x-coast productions - a steady house groove made from layers of keys, trumpet stabs, rich with hats and ghost snares - perfect to get the party started. being the last track, “don’t stop” is a hidden gem of this ep - what seems to be a hawaiian steel guitar classic, quickly transforms into a floor stomper, it’s a house beat reinforced by a classic rolling break, hammond stabs and samples of sterling void & paris brightledge’s “it’s all right”.

rebus 04 1 side & rebus 05 1 side.
remastered sound.
loud hot bass are now swinging in your speakers :)
surprise!

brainbox shows the open-minded and versatile character of the belgian de:tuned label and explores the more cerebral output within the full spectrum of electronic music.
the album compilation features 25 tracks of both new and previously unreleased material, offering a widely eclectic mix of ambient, techno, idm, broken beat and drum & bass from a range of well-respected and established artists who ve pushed the musical envelope and have inspired a whole generation of music enthusiasts. the tracks have been mastered by matt colton at alchemy mastering to ensure the highest playback quality.
in addition to the music, de:tuned has worked with designer kevin foakes from openmind (aka strictly kev, dj food from ninja tune) who has translated the diverse musical theme of the album into stunning graphic artwork.
brainbox will be available as a limited edition (300 copies worldwide) numbered box set consisting of 6 heavy weight 180 gr records housed in individually printed inner sleeves. the vinyl box includes a download card and sticker.
de:tuned would like to thank all the artists for their contributions and support. stay tuned!

le chatroom, a record label established in 2016 by the english producer kouslin, searches for the missing link between underground bass music and outer national sounds. its music is defined by the blend of synthetic and organic tones, modern / classic instruments and low- end heavy percussive rhythms....the three producers that feature on ‘lcr001’ pass on their fundamentals to conjure le chatroom’s philosophy red-handed. together they do the imprint’s name justice by handing over critical bass repertoire that’ll excite many!

mit elf ausgezeichneten coverversionen von bob marley songs. hier finden sich u.a. slave driver (vom album catch a fire) in der version von bob marleys lieblingssänger dennis brown, im still waiting (im original als studio one 7-single) in der definitiven version von delroy wilson, heathen (vom album exodus) in einer superben version von cocoa tea, produziert von bobby dixon, forever loving jah (vom album uprising) in der hitversion von marcia griffiths & tony rebel, produziert von donovan germain,waiting in vain (vom album exodus) in der jamaikanischen version von leroy smart, produziert von joseph hookim für channel one,crazy baldhead (vom album rastaman vibration) in der version von luciano & beenie man mit einem sensationell tiefer gelegten bass von sly & robbie.

torchlight is a series of releases from om unit dedicated to exploring ideas that are truly perpendicular to the standard templates of dubstep, jungle, and drum & bass.

next stunning bass / dubstep monster on blacklist

sunandbass recordings returns with the four track fade away ep from arpxp, brilliantly showcasing the producer s ability to turn his hand to a wide range of different styles of drum & bass. well known and recognised for both the quality and diversity of his work, arpxp has released with iconic labels such as metalheadz, critical and of course sunandbass recordings, but now his fade away ep gives him a platform to really showcase what his work stands for, and where he is musically at the moment. with the smooth, melancholic vibes of fade away alongside mc fava, and the shoe-gazing vibes of ˜fifth step is goodbye , arpxp shows his ability to build a solid groove, with well sculpted sounds all interwoven together to form strong memorable tracks.

the second outing from btg follows, in tradition, their 2 originals and 2 remixes format. this time round toyc creates a slower paced dance floor obliterator titled ‘kicks’ sounding like a wonky laser gun trapped inside a broken 808 landing somewhere between broken techno and bass. on the remix project mooncircle and 20/20 ldn affiliated deft deconstructs and reconstructs toyc’s track into a maximalist beast fusing the current sounds of 160 bpm 170 bpm and half­time dnb with the technical precision of amon tobin. up next the booty­shaking stormer they call itoa, known for releases on bad taste and being featured in storming 160­/170bpm sets by djs and tastemakers such as om unit and sam binga. ‘snake pass’ is a classic itoa track, playful bouncing subs and flickering percussion and shards of vocal, landing somewhere between footwork and booty bass. btg co­founder etch sets the pace with his remix of snake pass, coming through with a schizophrenic beats influenced sub heavy stepper that slowly evolves into a breakbeat onslaught.
dj support: nightwave, sully, addison groove, deadboy, horse meat disco, mj cole, barely legal, shadow child, amy becker, pathaan/bbc worldwide, boy 8-bit, blackdown/rinse fm, 2 bad mice, synkro/akkord, randomer, my nu leng, craig richards, foul play/moving shadow, dj zinc, dj orgasmic/origami sound... + many more

eshone (donnie valdez) is a 31 year-old graphic designer, music producer and dubstep dj from albuquerque, new mexico now living in poland. eshone has performed in twenty states and several countries, including: canada, denmark, poland, the netherlands, and slovenia. donnie s earliest musical memories were his electric guitar playing days and listening to heavy-metal bands from twenty-five years ago. learning this instrument and listening to heavy-metal expanded donnie s musical horizons to signal processing and sound manipulation. armed with technical knowledge, donnie shifted his focus to music production in 2004, specifically, drum and bass. eshone makes tunes quickly because of his innovative production techniques and instant application of his craft. his frenetic production pace is closely related to his high-energy live three deck sets. donnie learned how to mix in 2003 and had plans on becoming a turntablist. currently, donnie prefers to mix and blend his productions, which focus on heavy basslines and anthemic grooves while keeping a dark vibe and gritty texture. donnie s love of nature and music gave him incentive to create his record label, elk beats. the elk is very similar to donnie s music, internet presence, and online persona: peaceful, present, and powerful. donnie enjoys spontaneous activities, such as: fly fishing, skateboarding, and snowboarding. his other passion is music, and eshone s productions are custom-made for large rooms with low-lights, loud sound systems, and an intense emotional experience.

a killer 10 inch back in stock !!
closing off the trilogy of 10 years of perc trax vinyl eps is the labels first ever 10 inch release. drawing together two of the deeper and more experimental tracks from * slowly exploding*, the ep pairs label founder perc with one of his longest influences, zhark recordings main man kareem. first up kareem brings a touch of deeper berlin-tinged techno to perc trax, built upon a rock solid kick and drenched in moody urban atmospherics, then perc closes the this vinyl series with a spiralling analogue noise exercise that builds and builds until live drums tear through the wall of bass tones...

‘sound of palladio’ is the first in a four part series of limited 12- pressed to 180g coloured vinyl, with a single piece of cover artwork commissioned from italian artist nerog spanning throughout the series. never ready records’ inaugural release sees venetian techno & bass house experimentalist munstac veer between the echoing sub bass chambers and angular staccato momentum of “the cathedral” to the more drawn out drum rolls and flutter of “the theatre”. along the way, east london’s spatial helms a mighty 132 bpm jungle break refix of “the cathedral” whipping up that trademark hectic fervor the infrasonics label boss has previously delivered on the likes of “wncl & stillcold”

apollo introduce sieren, aka matthias frick. a software engineer at ableton by day, sierens love for uk influenced bass music and field recording and experimental soundscaping has resulted in this masterly ep of atmospheric street-rave soul. this is his first release since his debut lp transients of light, released earlier this year on christian lofflers ki records. fittingly, fellow apollo cohort synkro was instrumental in the curation of the static polymorphism ep hand picking the tracks, as well as road testing them to memorable effect on berghains hallowed system no less.neglection opens the release, with billowing widescreen pads, a ghostly 2-step drum figure and pulsing subs,rebase ratchets up the intensity, with sinister bass drones punctuated by strafing perc and hissing ambiance while relicts angelic yet melancholic atmosphere pulls the listener in with heart-aching synth washes and whispered female vocals. closer how to pairs mechanistic slo-mo funk with caustic 808 kicks, muttered vox and juddering bass stabs. this is richly textured and intricately programmed post-bass music that is sure to satisfy fans of burial, dbridge, akkord with its soulful sincerity and warmth.

enigmatic berlinbased producer algorythm provides the debut release on the new vinyl imprint neptune records this november. initiating the package, stuttering percussion and echoing effects form the deep and mesmerising santos express . syncopated rhythms and thudding bass hits then make up lfo as twinkling melodies work their magic, before bird cage introduces soaring chords and tranquil notes. tying things together, thudding kicks and snappy snares drive omar s deli forward as various layers of serene synths and pads are blended together.

limited 250 copies! sheffields hopeworks has become an essential melting pot for the cultural and musical future of a city whose electronic heritage has surpassed its industrial one. as creative director & resident dj lo shea, returns to the vinyl arm of this warehouse institution with a blistering new ep expertly programmed modern sonics possessed by the spirit of 90s rave & the uks characteristic bass influence abound here. from the syncopated and undulating a way through to the straight up ravery of mark x on the a side, to the hypnotic tribalism of primitive operations were looking at a crisply crafted modern techno suite of the highest calibre. bristols hodge handles a weighty remix of b1, amping the atmospherics and rounding off an ep of precision club tools par excellence.

even if russian producer gradient logic is found here turning out the business on serbian label disco fruit, the sound on the far away ep comes on like a snappy fusion of garage-ready new york proto house and laid back west coast boogie of the highest order. it s the third vinyl release for tonbe s label, and once more marks the serious clout behind the eastern european operation and its closest artists. just try grooving to the slick bass pops on feel me without being transported to an early 80s dancefloor. there s a more organic funk to lock into on i want you slide, but as ever it s hard to tell where the sampling ends and the musicianship begins on this utterly natural sounding ep.

mitte november 2016 wird bei ninja tune romares lang-erwartetes zweites album love songs : part two erscheinen. love songs: part two entwickelt und erweitert die lässige brillanz seines debütalbums projections. es war die art von gefeiertem album, die einen weniger talentierten künstlers ins straucheln gebracht hätte. vom dj mag zum -album des jahres- gewählt, erhielt es begeisterte kritiken auf der ganzen linie. es wurde von größen wie bonobo, four tet und annie mac unterstützt und etablierte fairhurst als produzenten, den man gesehen haben muss. es scheint, als nehme er diesen druck recht gelassen hin. -love songs: part two- zeigt eine erweiterung, entwicklung und vertiefung seiner techniken. obwohl sampling von vinyl noch immer eine wichtige rolle für ihn spielt, hat fairhurst weitaus mehr musik auf dieser platte selbst eingespielt: von monophonen synthesizern über den rekorder seiner großmutter und die mandoline seines vaters, bis zum e-bass sowie einer vielzahl von gitarren und keyboards, die ebenfalls zentrale rollen einnehmen.

mitte november 2016 wird bei ninja tune romares lang-erwartetes zweites album love songs : part two erscheinen. love songs: part two entwickelt und erweitert die lässige brillanz seines debütalbums projections. es war die art von gefeiertem album, die einen weniger talentierten künstlers ins straucheln gebracht hätte. vom dj mag zum -album des jahres- gewählt, erhielt es begeisterte kritiken auf der ganzen linie. es wurde von größen wie bonobo, four tet und annie mac unterstützt und etablierte fairhurst als produzenten, den man gesehen haben muss. es scheint, als nehme er diesen druck recht gelassen hin. -love songs: part two- zeigt eine erweiterung, entwicklung und vertiefung seiner techniken. obwohl sampling von vinyl noch immer eine wichtige rolle für ihn spielt, hat fairhurst weitaus mehr musik auf dieser platte selbst eingespielt: von monophonen synthesizern über den rekorder seiner großmutter und die mandoline seines vaters, bis zum e-bass sowie einer vielzahl von gitarren und keyboards, die ebenfalls zentrale rollen einnehmen.

rawax is very honoured to welcome a true house legend to the family. mr. roy davis jr joined forces with us to present some of his greatest releases re-mastered & back on vinyl! now its time for * the wild e.p. pt.2*

12inch with deluxe clear pvc vinyl sleeve in neon print tracklist: a. preissenkung b1. preisreduzierung b2. im karton gespart short info: look out for the b2, a slab of weighty illektro on a rolling bass / sons of slough tip. other tunes are misshapen hybrids, file under dubstechno.

zefzeed was chosen to be the first artist to release at arria, certifying his multi-dimensional artistic vision. porto deporta takes over side a with a deep bass motif propelling forward – everything clicks into place, making this piece a high definition 3d madness. soy sausage continues the journey with a stylish swagger and an irresistible groove, dotted with a chamber of indecipherable voice delays, while bright synths float across the driving beat. side b is spinning koo, a track that combines functionality with musical playfulness, tumbling percussion and clouds of textures, while drawing on the kinetic energy. though his tunes are aimed squarely at clubs, they’re detailed, spacious and hypnotic too, a rare blend that make arria-001 a slick dancefloor machine.

the motorcity boys are back with loveit003 a fresh sounding 4 tracker strongly reflecting the diversity of styles found at their parties. lds kicks thing off with 909 to heaven, a jacking and balearic workout with a rootstrax, chicago style bassline keeping the floor hypnotised until the small hours of the morning. snares, kicks & rhodes is a more laid back jam. lazy warm pads and a slow winding sub bass rise and fall intermittently only to be interrupted by a lo-fi distorted bass that snaps you right out of that trance. nico brun opens the flip side with an absolute banger, hazily reminiscent of that 90’s warehouse rave. lds and nico brun close the ep with an atmospheric collaboration perfect to start or end the night with. splashy beats keep up the footwork whilst pulsating synth sounds slowly wind together and drop with a beautifully crafted sample that’s guaranteed to bring some sexyness back to the dance floor. this ep will definitely be a regular addition to your record bag to spread those warm summer party sounds. bruno farace early support: xdb (echochord / dolly): debut ep? congrats! end monologue is my favourite.

mono junk’s cult label dum records is back with a new five track various artists ep that again packs a vital punch. he appears himself along with some fellow legends of the scene. first up, morpholgy is a consistent performer who has continued to serve up quality electro since 2009 and here serves up a hot new piece. ‘vector plant’ is busy and industrial, slick and metallic as it unfolds and burrows deep into your veins. then comes the a2, irwin berg featuring freestyle man (aka finnish moodmusic boss sasse aka klas lindblad) with a track made in 1995 and never released before. this pair worked together and made a cult electro record for sähkö recordigs in 1998 and this one is just as impactful. it is frosty and frazzled, slow motion but high impact and full of distorted lines and heavy drums. next is mr velcro fastener who were the first kings of electro to come out of finland and between 1999 and 2006 were famous all over the world. their brand new cut ‘almost there’ is a deep one that is riddled with bleeping melodies and has smeared chords bringing a sci-fi feel. then it is mono junk’s turn to dive into the vaults with an unreleased track from 2005. ‘feeling or destroy’ is a physical number with crashing hits and snaking, gurgling bass that is dark and dystopian. last of all comes irwin berg with mono junk as new york city survivors. says the dum boss, “our unreleased track here was made after the new york city survivors – static light cd 2002” and it is a turbo charged track with screwed up grinding bass, icy hi hat rhythms and menace in its grooves.

silencio, a new label out of chicago, will debut its first release from new young talent cirq’on titled the other side ep. on the a-side, “screaming around”, makes its presence felt with a beefy bass line that periodically stacks and stutters throughout its progression. this track is impossible to resist. even the most hardened scenester, the type of person who never dances in an effort to look cool, will be forced to cut a rug as they acquiesce to the bombardment of this pleasing beat. peppered throughout with spooky vocals, tempestuous tones and mysterious snippets, it leads you down a path of rhythms that pushes past the point of no return. similar to the first transmissions intentionally broadcast out into our universe for the purpose of contacting intelligent life, “the messenger” delivers on the b-side with layers of haunting harmonies that unfold over simple, satisfying drums. it’s steadily driven by scintillating sounds in the form earthbased radio signals that rise and fall, as if bouncing off of orbiting space debris on their journey to the great unknown. this track is best described as a mind-exp.

having previously turned out some refined club tracks for friendly neighbourhood label banoffee pies, christian jay comes to idle hands for his debut solo 12inch. as revealed in our past support of artists such as i.a. bericochea and matt karmil, an appreciation of the finer end of the minimal house and techno spectrum weighs heavy at idle hands hq, and christian embodies everything good about the micro-genre. the stylistic approach on this single is consistent across both tracks, fusing shuffling, 2-step fuelled drum patterns with blissful atmospheric content in a most natural of ways. on 117 this manifests in a more flamboyant end result peppered with playful hi-hat tones and delicate melodic licks, while on contrail the mood is resolutely low-end focused with some choice bass touches in amongst the tightly wound funk of the beat. what makes jay s efforts stand out is their immersive finish, using dexterous doses of dub processing to create a quintessentially bristolian mood while retaining the razor-sharp edges of upfront european minimal. its a tone that speaks to limbering up at the start of the party, or shaking down deep into the morning. that said, we could listen to this all day and night.

willrijk joins the lt roster with a dust-flecked, deep aquatic release of ambient house. escapist elements with pangs of elation and dry roasted bass-lines that crackle with every throb. proper deep-diving, late night house music.

tang breaks out a little-used alias, transmitting from the concrete jungle, audio hallucinogens changes thoughts. the “habit” is a subtle rumbling bass line evolving into a fluid, acidic language, which only crickets would understand.

new years deal - the next chapter in the creme organization ecplise series comes from cosmic garden with three original tracks and one remix from orgue electronique. little is known about cosmic garden other than he is from southern italy and has had two eps out in 2016, one on hotmix and one on cosmic rhythm. he heads out the blocks here with reptilian treant , six minutes of lo-fi deep house that is roomy and atmospheric. lazy synths bring soul and a gentle chatter of claps and hits helps drive it along. rare centaur is also way below the surface but is darker and more celestial, with turbulent bass, frantic claps and angelic chords glowing like a white light at the end of a tunnel. dutch house and electro don orgue electronique then remixes reptilian treant into something that is slick and serene, with metallic lines dancing above rubbery drums as big piano chords boucle up top. it is joyous and colourful and truly majestic before final track apocalyptic moose takes us back down into a mournful house vibe that echoes chicago with its roughhewn analogue textures and lovestruck chords.

only vinyl. dedicated to my family, my supporters and all the music lovers. the second chapter come again from lapucci (mattia lapucci). this time are delivered to destination jazzy melody mixed to break beat drums construction, swing kick drums coupled to experimental pads and atmospheric spacey sounds, punch dance straight rhythm combined with deep and acid bass line to define another time one complete ep.

comforting warm blanket of an idm 12” from nyc producer luis aka brian pineyro, with four new tunes about distance and separation that take shape as street-lit electro drifters and ruminative breaks. inspired by displaced persons and missing people to different degrees and building on his work as dj xanax, dj python and dj wey, luis drifts deeper into the emotional side of headphone electronica hinterlands with moods evenly split between warmth and isolation, submerged alongside deep bass and unfading melodies.

rekids regular markus suckut returns to radio slave’s renowned imprint with a solid techno two-tracker this november. recent years has seen markus suckut’s distinguished career enter its next phase, whether playing a role in the relaunch of steve o’sullivan’s mosaic imprint, debuting on rekids, or pioneering his own imprints exile (alongside johannes heil) and sckt. in his next outing on rekids the german dj and producer demonstrates functional techno from the off, initiating with the cavernous and uncompromising ‘10 y’ which forges a swelling tension using echoing stabs and rolling kicks. on the flip, the groveled ‘zero nine six’ meanders forward with subtle bass tones as mesmerising synth throbs gradually ebb into the mix.

copenhagen-based imprint ectotherm returns with “ingen tak til systemet” from local gem, rune bagge. the ep features four diverse cuts ranging from drum’n’bass-leaning idm to straight, floor-filling techno. as a dj, bagge has been a part of the dk scene for years, providing dancefloors with heavy and crunched up percussive sounds, which he continues with this ep as his debut solo production effort.

deep, storming salegy sounds from madagascar. salegy is the electrified updating of the traditional antsa style from the north-west of the island — 6/8 rhythms, layered with percussion and call-and-response vocals — and the vetson’ androy group one of its most popular proponents. from 1978, mavandeza has the heady urgency of killer fela — with two women singers out front, psychedelic organ and prowling-lion bass. the flip is from a decade later, by malagasy superstar eusebe jaojaby — rough and tough dancefloor worries, with a mazy string-line, mash-it-down percussion and lilting flute. another sizzler from sofrito.

donny benet. you know the name by now. man of the people. wielder of synths. virtuosic in style, both aural and visual. sydneys undisputed master of conduction through seduction. the man has an almost otherworldly control over his music and his crowd. one slap of the bass and the world melts at his feet. one outrageous synth solo after the other and the competition falls around him. donny benét makes you sweat. donny benét brings the heat. we are unbelievably honoured to have donny benet make his plastic world debut with working out, a pulsating ode to the things in life that get you perspiring

coyote s release their 4th album song dogs. 7 tracks of percussive elecronic mediterranea. opening side 1 is jamon y quesa and chuggy bass driven soundtrack to an early afternoon drive through dusty scrubland to the beach. track 2 natural way is a mellow meditation on becoming a clear thinking wise man. track 3 falling leaves conjurs up lazy moments taking the time to appreciate the beauty the simple things around us. side 2 close with the haunting and soothing herbal remedy side 2 opens with tanits groove a beautiful balearic homage to the godess tanit the warrior goddess of dance, fertility, creation and destruction. the protector goddess of ibiza. featuring the guitar of long time coyote collaborator saro tribastone. track 2 no time to play is a powerful uplifting elecronic groove to welcome a sunrise, i feel the vibration finally the album closes with cala conta sunset. an ambient memory of a brief monent in time on the cliffs of cala conta watching then sun set into the mediterranean sea.

midwest groove master titonton duvante joins the god particle family with licentious gopa06. a1 licentious duvante displays his master of musical yin and yang with title track licentious. mischievous synth tones dip between a steady line of kicks and claps and bounce above a deep sea-dwelling bass line. b1 permittivity permittivity is a bottom heavy party starter with hints of acid and subtle vocal samples. warm synth keys wash over the last half of the track, perfect for sending out cosmic smoke signals. b2 sans compunction closing track sans compunction takes us on a darker drive, exploring the outer nebula. ominous synth lines dance along duvantes signature flirtatious rhythms.

over the last year, daniel martin-mccormick has been exploring new terrain as relaxer, releasing a series of eps on the project s eponymous label. the third installment follows the paranoid whispers and mossy drip of the first two, yet is the most direct so far. “forming” and “forming (version)” offer distinct takes on a simple rhythmic motif, the first reaching for the heavens, and the b2 “version” sinking into hell. both develop gradually, drawing in the dance floor before unleashing, the a-side’s yearning strings and thunderclaps overflow with emotion, while “version” is a vortex of ever-escalating, dark intensity. in between is “monday,” a teeming environment with a deep bass throb, pounding drums, and shimmering percolating melodies.

crimes of the future is the kind of label you can trust, no matter who is at the controls. the same could be said for giallo disco, and certainly the two labels orbit a similar space for lurid soundtrack-inspired hardware jams from the italo age. vercetti technicolor is one half of the giallo team alongside antoni maiovvi, and here steps out with a perfectly bombastic range of compositions that revel in b-movie brilliance. -golden taurus- is the perfect slow-burner, those mono bass notes warming like no soft synth ever could, while -topaz fear- brings a more action-driven sequence into the mix. -death wish- too opts for a pumped up club scenario, while heinrich dressel smokes out -golden taurus- into a seedy slow-jam.

in early 2016 lifestyle released signal’s seminal track “indirect”. this masterpiece from one of the most exciting young producers currently in drum & bass, went on to become the labels most successful release to date, reaching number 2 on beatport, with support from some of the scenes biggest acts including noisia, icicle, ed rush, and s.p.y to name but a few. now after some time waiting in the wings, comes the anticipated vip alongside a remix from australia’s very own lockjaw. this release is seeing a limited vinyl pressing, lifestyle’s first vinyl for over 3 years.

meatbean presents release kick off signed by valeria croft, russian producer now based on helsinki.ep delivers two original tracks and one summer vibe re-edit. minimalistic percussions perfectly playing together with bass and melody on it s background.envelopes with it s floating,deep and dark mood and groovy kick off make this ep thoroughly enjoyable.

excellent va minim.all from the label in honor of 5 th anniversary of the label! greetings from residents with powerful tracks. to be continued... support from: someone else, agoria, richie hawtin, joseph capriati, paco osuna, marco carola, andrea giuliani, khristian k, medu, archie hamilton, butane daniele casa, alejandro fernandez, mikhail kobzar, hernan bass, jcb, mathias schaffhauser.

3fm003 is composed by 3 diverse soulful tracks all recorded live which are set to be played everywhere this winter. the ep opens with healer , an emotional slow jam driven by warm pads and original voices that probably will bring your memory to theo parrish s flower . following is the club oriented story , a straight house track guided by a 4/4 drum machine pattern and permeated with a loved up vibe. the ep ends with the deeper time can tell : broken rides, key solos, groovy bass-line.. jazz!

20 year old utrecht based producer julian alexander steps up for the next release in infuse with a ep of raw house grooves. sweet rain kicks things off, its deeply rounded bass and swung percussion imbuing the track with a real sense of groove. cabin fever continues the vibe whilst present brings a sense of warmth an undulating pad lending the track a more blissed out feel whilst straight furrows a tougher path with a dirtier warehouse kick and metallic percussion.

brianna price aka b.traits, launches her new record label venture, in.toto, with a self-produced two track single, still point/north shore. in.toto, to mean as a whole, altogether, unity, will focus not only on her own productions and releases, but also provide a platform for up and coming artists, and those producers already championed in her dj sets and hugely loved bbc radio 1 show, by way of new material and compilation albums. the label will be backed by bespoke events and club nights, enabling the artists and the sound of in.toto to reach far and wide. on the labels inaugural release, brianna sets the tone perfectly with still point. gnarly, rasping bass punctures the gentle piano riff and ethereal synth pads as this club ready track blossoms into life, the assured and driving drums never letting the energy drop for one second. on the flip side of the limited edition, purple 12inch vinyl release, north shore opens with warm idm pulses and tones, grandiose strings and vocal refrains create a huge sound that takes its unexpected breakbeat twist, reminiscent of british rave heroes orbital, whilst holding its own with its fresh and bright production.

welcome to fourth vinyl release on kickmasomaass records. this record called psychical disorder ep is a great four-tracker for all hardgroove techno fans. it contains one original mix and three winner remixes from psychical disorder remix contest. andy bsk has this time created one great psychedelic hardgroove track with great bassline and heavy kicks. the percussions with the psychedelic melody synths runs into delirium in every hardgroove head. the second remix is from lorenz b who is living in italy. his hardgroove techno remix with hardtrance elements is simply perfect. great bass, great kicks, great percussions. definitely one great track for every club and party. third track is coming to us from spain from two guys called jcortes and eloy palma. their remix is heavy and dark. brutal kicks with dark percussions will destroy every club. the last and fourth remix is from slovakian music producer buchtotronic. nice fast hardgroove track with oldskool hardcore and tekno elements will destroy every tekno party. definitely one of best remixes in psychical disorder remix contest. we made it one more time and bringing you a great record. so don t wait any longer and support our label with purchase of your own piece. enjoy!

the return of konigs jonny 5!vollkreis liebe.deja-vu nein? beats in balearic space.schlagen bass, guitar himmel. one more time!sirup vocal, groove funk. das ist last trrrrraaaaain. late-nightromanzen uh-o uh-o miami kilter schlagzeug. eindringlichen refrain. babababass! finale grazie ist slow bodies.100 bpm, arp kopfes. und weiter.panzer peoples funk esel

editorial is back again with another stacked 12inch with familiar faces and a new arrival to the label. art of tones kicks things off with bootyshaker, inspired by uk compadre red greg. with a driving funky bassline, this jam is a bonafide party starter! the mysterious barry prophet surfaces again with a laid back slo-mo boogie vibe on closer. flip the wax for editorial stalwart matt hughes and his class funky guitar and bass work on walk the chalk. next up is italys special q bringing his nu-disco sound proper. finally, the sellout s close out the ep with a heady downtempo smokey joint.as you know, this is: the way we groove